“When I saw the movie, I got goosebumps,” said Sandén, of hearing her voice come out of McAdams’s mouth on that Eurovision stage. (The high note that gave Vanity Fair’s chief film critic Richard Lawson “genuine chills.”) When she recorded “Húsavík”-Sigrit’s triumphant ballad-Sandén incorporated that very high note, the same star-inducing crescendo she practiced in her basement and used in her first Eurovision song. But back then, I thought, This is what I’m meant to do. Laughing, Sandén said, “When I look back on it, I realize those stars and glittering is just lack of oxygen in my brain.
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